Untitled

Chalk pastel, ball-point pen and
Sharpie on found wood.

I spoke before about using different
pieces of scrap wood as a starting
point. With these two drawings I
feel like I was able to break into a
new point of view.

Coloured pencil, ball-point pen
and pastel on found wood.

Waiting for Spring
Oil and Graphite on canvas

After working on many more studies, trying to develop a consistent train of thought, I decided to just jump on in and create a couple of big pieces, hoping that if I took the "Just do it" approach things would sort themselves out. Although I love these two paintings, I still feel that I need some more time at the sketchpad to work out some kinks. I seem to have gravitated towards a landscape theme, which is both unexpected and strangely familiar.

Branch Glass 2
Oil and Graphite on canvas

Liftoff
Oil on canvas

I was focused on the world of crows;

their long lineage, the many roles they 

play in different types of religions and

folklore, as well as their physical beauty.

I did this small series of three in my studies,

and ever since, they seem to follow me 

around and pop in and 

out of future works.

Soar
Oil on canvas

Crow
Oil on canvas

In Flight
Oil on wood panel

In these few pieces I was working on
 wood panels, or discarded wood
 pieces, using the surface as part of
the image. I was trying to represent
the effect sunlight has when it passes
 between tree branches.

Branch Glass
Oil and graphite on wood

Branch Study
Oil and graphite on wood

Pixel Twigs
Oil on wood panel